The landmark of many cities is the cathedral. Some had their beginnings as monastic buildings, have stood for nearly a thousand years, and remain essential icons, or even emblems, of a city's character. Yet not all cathedrals look alike, and indeed these buildings were often the pioneers of new architecture as it developed over the centuries. Here, Cathedral Architecture takes the reader on a journey through time, enjoying the architectural experience of the styles of the Normans, Early English, Decorated Gothic, Perpendicular Gothic, and English Renaissance through to modern day. A beautifully illustrated guide featuring many of Britain's best-loved cathedrals.

Scott Adkins and Dolph Lundgren star in this action thriller directed by Eric Styles. When a mysterious river monster in China attacks and kills several people, scientist Travis Preston (Adkins) travels out to investigate. When he arrives in the small fishing village he discovers, to his dismay, notorious hunter Harker (Lundgren) is also searching for the creature but with very different methods. If Travis can find the monster first he intends to capture it and study its existence; if Harker finds it he intends to kill it. Who will get there first?

Three classic films starring comedy duo Stan Laurel and Oliver Hardy. In 'The Dancing Masters' (1943), Stan (Laurel) and Ollie (Hardy) are owners of a dance school, but are evicted for non-payment of rent. To raise money, Ollie tries an insurance scam which involves inflicting injuries on Stan, but the inept pair soon find themselves mixed up with local gangsters. Watch out for appearances by long-running Marx Brothers' foil Margaret Dumont and a youthful Robert Mitchum. In 'A-haunting We Will Go' (1942), Laurel and Hardy unknowingly offer to help a bunch of crooks smuggle a wanted man past the police in a coffin. Unfortunately, the casket gets mixed up with one used by a stage musician, leading to a comic chase. Finally, in 'The Bullfighters' (1945), Stan and Ollie are two detectives looking for a female criminal in Mexico. Stan gets mistaken for a famous matador and is forced to show his prowess in the bullring.

Translated by Constance Garnett, with an Introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

Three brand new adventures featuring Christopher Eccleston as the Ninth Doctor. 1.1 Sphere of Freedom. On the Sphere of Freedom, the Doctor is about to shut down an evil Immersive Games business empire. He’s assisted by a valiant galley chef called Nova. But his plan spectacularly fails… And who exactly is Audrey? 1.2 Cataclysm. Nova is dislocated in time while the Time Eddies are out of control. Meanwhile, the Doctor is about to face the end of the universe. Or is that just the Battle of Waterloo? 1.3 Food Fight. The TARDIS is starting to get a little crowded! Audrey finds herself haunted by a ghostly Doctor. Cast: Christopher Eccleston (The Doctor), Camilla Beeput (Nova), Jayne McKenna (Audrey), Clare Corbett (Ravager), Ben Lee (Lieutenant Farraday), Anjella MacKintosh (AI/President/Café Owner), Jamie Parker (Captain Halloran), Dan Starkey (Marcus Aurelius Gallius). Other parts played by members of the cast.

Translated by Constance Garnett with an introduction by Anthony Briggs. Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out. The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire. In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

It’s early morning and there’s a whole new day ahead. How will it unfold? The baby will feed, hopefully she’ll sleep; Helen looks out of the window. The Long Form is the story of two people composing a day together. It is a day of movements and improvisations, common and uncommon rhythms, stopping and starting again. As the morning progresses, a book – The History of Tom Jones by Henry Fielding – gets delivered, and the scope of the day widens further. Matters of care-work share ground with matters of friendship, housing, translation, aesthetics and creativity. Small incidents of the day revive some of the oldest preoccupations of the novel: the force of social circumstance, the power of names, the meaning of duration and the work of love. With lightness and precision, Kate Briggs renews Henry Fielding’s proposition for what a novel can be, combining fiction and essay to write an extraordinary domestic novel of far-reaching ideas.

Explore the world of crime and punishment Police, forensics, and detective stories dominate our TV screens and bookshelves--from fictional portrayals such as Silence of the Lambs and Law and Order to lurid accounts of real-life super-criminals like Pablo Escobar and Al Capone. As well as being horribly fascinating, knowledge of what makes criminals tick is crucial to governments, who spend billions of dollars each year trying to keep their people safe. Criminology brings disciplines like psychology, biology, and economics together to help police and society solve crimes--and to prevent them before they even happen. The new edition of Criminology For Dummies shines a light into the dark recesses of the criminal mind and goes behind-the-scenes with society's response to crime, putting you right on the mean streets with cops and criminals alike. Along the way, you'll learn everything a rookie needs to survive, including basic definitions of what a crime is and how it's measured; common criminal motivations, thinking, and traits; elementary crime-solving techniques; the effects on and rights of victims; and more. Understand types of crime, from white-collar to organized to terror attacks Follow law-enforcement officials and agencies as they hunt the bad guys Meet key players in criminal justice and see how and why the guilty are punished Check out jobs in the field Whether you plan to enter the criminal justice field or just want to know more about what turns some people to the dark side--and how the thin blue line fights back--this is your perfect guide to criminology basics.

A guide to the great big family drama that takes up most of the first book of our Bibles. How can you read it wisely, and know what to look out for? This Really Useful Guide to Genesis 12-50 unpacks the fascinating family stories of Abraham, Isaac, Jacob and Joseph. Richard S. Briggs takes us on a tour of these characters' lives, suggesting different ways of approaching the stories to draw out different facets and looking at how God can be found throughout. With a discussion of the historical background of Genesis and a detailed look at a few key passages, this book will increase your biblical knowledge and make you more aware of God's presence in everyday life.

Presents a new philosophy of gender categories, going beyond binary oppositions Introduces some novel concepts, such as 'gender feels' and applies hermeneutical injustice theory to gender One of the first books to use analytic philosophy to disentangle a lot of the confusing debates around gender, which are still rooted in physiological differences

Choosing the right method of contraception can be confusing: you need to consider your lifestyle, personal preference, any health conditions you might have, and how effective each method is at preventing pregnancy. Discussing options with your doctor may seem daunting, and information on social media can be misinformed and overwhelming. This handy guide, written by two experts in Sexual and Reproductive Health, will answer all your questions about contraception, helping you decide what works best for you. The authors walk you through every method of contraception, with information on how it works, how to use it correctly and how effective it is. The authors also explain how and when conception can occur during the menstrual cycle, how life stage can affect your choice, and how hormonal contraception can be used to help other health conditions. From the pill to the condom and everything in between, pick what's right for you.

One day, an Elephant offers a Bad Baby a ride through the town, and so begins a delicious adventure and a "rumpetting" chase. But when the Elephant realizes that the Bad Baby has forgotten his manners, the chase ends with a BUMP . . . and tea for everyone! A classic story all babies, toddlers and their parents will love, warmly and wittily illustrated by Raymond Briggs.